Christ in the House of His Parents, 1849
Tate Gallery,
London, England
This painting, an early Pre-Raphaelite work, drew major criticism from the Victorian public and the critics. Many people felt that Millais was giving a vulgar depiction of the Holy family, showing them as lower class Jews. Charles Dickens' harsh words injured Millais' pride, but the two later became good friends. This painting also caused quite a stir because it was felt to be too sympathetic towards Catholics by giving Mary such a prominent position. John the Baptist is seen on the right bringing a bowl of water to the Christ child, who has injured his hand. The sheep to the left are a symbol of human souls, and the dove on the ladder is a symbol for the Holy Spirit.